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There were people syncing Live to looping plug-ins, using it with turntables, controlling it with keyboards, foot pedals. Live conversations invariably start with the questions of how you use Live’s sets and what hardware you use for control, because no one - no one - does it the same way.Īt this meeting, we had DJs, a cellist, a singer-songwriter, guitar/bass players. #MODUL8 ADVANCED OUTPUT RECORDING LIVE SOFTWARE#Usually, meetings about software focus on features, but Ableton Live is different - most of the function focused on how people use their software. I spent last night at the latest meeting of the Ableton user group in Manhattan. Part of the reason Ableton keeps coming up is that there really isn’t anything else that does what it does: Cakewalk’s Project5, for instance, is interesting and even has rudimentary clips, but even Cakewalk admits it isn’t intended to replace the sophisticated clip management, scene management, and follow actions in Live’s Session View.Īgainst that fixed background, people have come up with fantastic custom solutions and hacks the likes of which I’ve never seen in any other software, ever. As opposed to something entirely open-ended like Max/MSP or Reaktor (both of which I use regularly), what’s nice about Live for performance is that you have a basic grid, a fixed interface on which you can build what you need. ![]() It took me ages to troubleshoot it.Ableton Live isn’t a perfect program for performance (hint: there’s never perfect software for anything), but maybe that’s not the point. I had one extra MIDI prefs box highlighted that I didn't need. Last week, every time I used a Faderfox button to kill the lighting, the video annoyingly went blank, too. I take screenshots of the MIDI prefs in case I have to go back and reset them. Live's MIDI prefs can get pretty complex, especially when multiple programs, multiple MIDI controllers, multiple computers, and/or virtual MIDI buses are involved. IAC 1 is for sync between the audio (from another instance of Live) and video/lighting instances of Live, IAC 2 is an internal bus for video/lighting, IAC 3 is for DMX lighting, and IAC 4 to Arkaos. Here's a screenshot from my video/lighting instance of Live: I was using Rewire to Arkaos, but it quit working one night, for whatever reason. It's then available as a MIDI output to Arkaos. #MODUL8 ADVANCED OUTPUT RECORDING LIVE DRIVER#Could the control surface settings have anything to do with it? For outputting MIDI to Modul8, you only need Track enabled in MIDI prefs, not Remote.Īll I do is enable the IAC driver in Audio MIDI Setup, and select it as an output in Live's MIDI prefs. You got me stumped! It all looks OK to me, except for Sync being grayed out. Why can't I select a MIDI control number here?Īny help, tutorial, walkthrough, on this issue would be much appreciated. What the hell? I downloaded an Arkaos demo a while back, but it's expired. When I don't add a sound I can output MIDI to Arkaos VJ. When I add a sound to a MIDI track it only gives me the option to output Audio, not MIDI.Ģ. I also have set the IAC driver as an input and output device and turned on all ports. ![]() In Live Preferences I have my MIDI control surface installed and working, with input and output set to the same name (microKONTROL) - my MIDI controller. In MIDI settings for my Mac, I enabled the IAC driver.Ģ. #MODUL8 ADVANCED OUTPUT RECORDING LIVE HOW TO#So I've done a good bit of reading in this forum and perusing the manuals and the Live Lessons, but I STILL DON'T UNDERSTAND how to send MIDI out of Live to other applications. ![]()
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